Fit the story with the technology, but feel as though the project isnât quite right.ĭeliver a work-in-progress talk at the residency halfway point. Invite feedback on the design from as many people as possible.Īt the same time develop only one story as it’s a short residency. Counterbalance the weight of the hardware with a box seat. Use the google app Sketch Up for a 3D view. To house the hardware, design a box based on classic arcade machines but in neutral colours. Think about how content can respond to audience choice and make an experience more personalised, and how voice and hand writing can be captured and re-delivered as content.īe drawn to overhead projections, for example Tim Kindberg’s video turntable in the studio, and the potential for content to be triggered by interaction with objects.ĭecide to use headphones because the JukeBOX audience will listen to the stories in potentially noisy public places: headphones allow the use of binaural audio too. Mobile phones: as way to engage with audience, to deliver and trigger content and collect payment ĭelivering simultaneous audio tracks in order to direct audience members/give them different experiences, so that they then become the ‘performers’ for each other With Dan Williams, PMStudio creative technologist, discuss useful tools for the JukeBOX: Spend the first couple of weeks as studio residents investigating different types of technology, think about the story and start to develop the aesthetics of the jukebox.
Apply for a micro-residency to develop Theatre Jukebox.
Take the opportunity after the interview to look around the studio and meet people who work there. Meet Clare Reddington and hear about residencies at the Pervasive Media Studio.Īttend a workshop run by Tim Kindberg and Rik Lander about using RFID in theatre an excellent introduction to the potential of pervasive technologies.ĭevelop ideas by writing a proposal for Theatre Sandbox.
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